How to landscape photography

 Simple form of landscape photography and strive to convey a simple mood. Words were easy, actually doing it is very difficult. We are facing a varied and colorful, ever-changing natural scenery, in the complex disorder, should be sought to discover the laws of the United States, shown by means of photography.
simple form of artistic creation is the most common, but also the most difficult means of expression. a high degree of enrichment and refinement of its outstanding characteristics.
have composition of simple awareness, in the face of worlds, keep what, minus what, how to choose, which is indeed a very big problem, you can clearly tell you that this is also the subject of a no answer. As each photographer understanding of the different nature of the knowledge, the natural choice for the landscape also has its own criteria. However, the camera lens is limited in scope included, will be unlimited natural world into a local frame in the viewfinder is actually on highly concentrated nature.
enrichment and refinement Although there is no uniform standard, but there are rules to follow, for example: the same color of the landscape should be retained, in the same direction need to use multiple lines, as one of the main screen, need to be sure to leave enough space, etc., these are simple to help us make the picture of the way.
landscape photography of the picture is balanced
image of stability and equilibrium of all arts are not neglected. stability refers to the screen dumping in the scene is not skewed sense of balance is so that the screen did not seem right and left side of the light side of the heavy feeling.
balance of landscape photography scene in the picture is not symmetric, or that scene in the picture, the average distribution . This balance is the balance of visual weight, is the change in the balance. If we see a landscape picture has no sense of balance, that scene must be arranged properly, or improperly configured the proportion of light and dark tones, or the use of color configuration unreasonable. produce these phenomena because the law did not grasp the balance. visual balance on the premise that the balance of visual weight, while the balance of visual weight of the law is: a big weight than the smaller, far more than recent weight, dark weight than the bright, dynamic than the static weight, clear weight than the vague, thick heavy than light. In short, the balance is not a scene in the picture, the average order, not the repetition of such.
scene in the picture can be more than one side, while small, can also side of the large, while small, but the visual weight should be roughly equal. Note that equilibrium is not absolute balance, a trace is not bad, that would lead to a well-mediocre, dull. is not balanced among a balanced, instability into a stable, they are to meet the requirements of landscape photography composition.
landscape photography scene is between the echo echo
both near and far between or around the scene, there must be response, association.
in the beautiful photography, landscape and scenery can not be connected between, but not without contact with each other, this invisible link is echoing.
echoes can be static, it can be dynamic. in the foreground and background of the flowers is an echo between the mountains, the birds of the air and on the ground between trees also constitute echoed.
contact and echo is the goal, is to make a complete picture of the scene's sense of unity. This echoes the relationship to accompany the body can be between the subject and echo, it can be subject and subject, to accompany the body between the body and accompany echo. No matter what kind of relationship echoes, must exist between them a link. in the composition in landscape photography , master and handle the scene echoes the relationship between, on the composition of the stability and integrity is essential.

lines using the line nature of our visual experience and thinking activities, the position occupied by such important that it is difficult to accept the fact that the lines in nature is non-existent. come to this conclusion is not surprising, because in real life and the natural environment, the people of horizontal, vertical, diagonal lines, curves, objects turn a blind eye, and objects of these shapes have the edge there are limits to the edge of the limits of abstraction, it will have a variety of lines. For example: the horizon is the horizontal straight lines, arranged in the forests vertical straight lines, curves of the winding river is the visualization of the lines of Article hh composition useful in photography, which not only beautify the picture, but also as the framework for the composition to become the visual center of the screen. Forms million without the lines will give the symbolic associations. long-term accumulated experience tells us that certain cadres and some things or phenomena are often linked, and these characteristics of the object itself and the shape of some lines linked to the formation of a traditional concept, that is the position and orientation of lines as a symbol, it can make people have a certain association.
vertical lines represent the life, dignity, eternal, and the ability to resist change.
horizontal lines tend to be that quiet, stable and smooth.
diagonal line means that movement, dangerous, crash, can not control emotions.
lines, circles and curves like a symbol of the sea smooth and movement, suggesting perfect, elegant and harmonious.
combination of vertical and horizontal lines that link, unity, integrity.
focus on formal beauty of landscape photography, so particular about the design and use of the line. the photographer must not only consider the line the psychological impact to the audience the feeling is more important is to learn to find and extract. some of the photographic composition help lines are often embedded in the confused scene, the photographer only through the meticulous and keen observation, can be found and refined .
landscape photography
face the music of the rhythm of the landscape of all things, our brains are constantly wondering how to sort out from the chaotic harmony among the factors. This is seeks the order from disorder, is organized so-called order. natural features themselves do not provide proper harmony of materials, can not establish an effective contrast, so the photographer must be good at observation, in chaos to find some common features of the graphics, and in an appropriate manner organized, they may be in size, shape, orientation, color or texture have similarities. All in all, a sense of harmony through the formation of the similarities. like the beat of music listeners as predicted, the audience enjoy the photographs in the image of a group of similar a common perception in the identification and prediction of its reproduction. after reasonable arrangements, rhythmic movement to guide the audience's attention move along the screen to meet their visual experience, grab their attention. As a photographer, We are inevitably affected by the impact with the rhythm of natural forces. alternating day and night, seasonal cycles, sea shore, heart beat, they have their own rhythm, but let us also went to a very coordinated. the rhythmic pattern with some ups and downs , it becomes excited emotion, the ideal means to express their feelings. It has real feelings in addition to their role, expressing the feeling of art is the most influential factor. rhythms to inspire and enrich people's imagination. than Other principles of composition, rhythm and caused more visual pleasure. it has great vitality, the most insipid documentary subject matter, as long as the discovery and reproduction of a certain rhythm, photos will be able to give a deep impression.
scenery photography sparse and dense Chinese painting, there are To have a choice of scenery, the simple to the homes of the fan's to be taken from, so that the screen had a secret there is sparse. Jane Do Jane and no King, but the unnecessary, redundant features removed; fan also not all-inclusive, no primary and secondary, no regular access to all, but a level, there change to the landscape being arranged on the screen, so complicated but not chaotic. the use of simple and complex are complementary, neglected which party not so good. a combination of both, interdependence, only charm.
the fun center
landscape photography picture if there is no obvious overwhelming center of interest, the audience will be puzzled look, they subconsciously Q: Do you want me to see what? nothing to see here? Therefore, we must let the audience understand the photos as soon as possible, and immediately see the emphasis lies. fun center is the main screen. subject need not be a person, a place or thing, it can be a shape, a line, the local texture of an object, or are linked with a number of features. Many beginners in the shooting landscapes, no efforts taken to determine the center of interest, but free pictures, made many significant features are ignored, as well as the lack of inherent interest to shoot the picture, it is difficult to form dominant position, in addition, there is no eye-catching shapes and lines to make up for this defect. As a result, the audience in addition to a look of In addition, nothing in the photo can not find something memorable look. As the main center of interest, and the frosted glass in the viewfinder, focusing screen to be clear. When we find a film theme, with the attendant feelings of a very exciting time We tend to focus on the features, and ignore those distractions, and these factors lead to a breach of the main appeal. eliminate the interference from the many, the most commonly used is to avoid is to learn Select the center of interest is very important. to develop a habit: take thinking, trying to establish a body to take, and around the main creative works for you. Just as the first language of thought again, as the center of interest must be determined before taking photographs down. the lack of ideological language is empty, the lack of interest center of the photo can only be a meaningless pile of random scenery. selected as the main center of interest since the method used to strengthen it so that it really holds the dominant position? mm can turn to the layout of the three factors, size and contrast. These three factors play a role in the occasional individual, but often play together.
the role of the shadow of light that is shadow
. The biggest shadow is the night, this half of the region when the other half of the shelter. to photography, we are dealing with a partial shadow, as a cloud blocking a large land and pasture. the shadow of no small role, it can block out some things and highlighted the performance of some other things. light shines on the scene, the scene brightness to increase. to make the scene as the visual center of the screen, there are many ways to solve, one of which is to make a bright object in the visual center of a darker background. To make a more prominent color of a single landscape, you should use dark shadow as a foil. there will be a shadow contrast, the use of light than the contrast between the basic essentials for shooting scenery. shadow on the screen in different positions, the role played by Different. Shadows on the screen or occupy most of the upper half, from the prominent role of the subject, due to a large area in the shadow of the background, so that the object illuminated in a more prominent; shadow on the screen by the light part of the scenery in between uniform appearance, played to increase the screen level, the role of a rich visual language, the shadow of the lower half of the screen if there is the composition of the stabilizing effect on the screen.